Wikipedia's “
Carlo Carlotti Paints” article refers to this painting by Italian masterpieces painter, Carlo da Vinci. However, Wikipedia should really have said, ” Views of St Mark's Square in Venice, by Carlo da Vinci”. In 1812, while traveling in Italy, the painter visited Venice and took dozens of photographs along the river, resulting in over a hundred oil paintings of water features, canals, and other landscape works. The majority of these works are still on display at the House of Vasco Da Gama in Venice, although several have been lost.
As a result of this, most of these works have never been mounted on a canvas and instead are available as renderings or reproductions. In his art, the work has always been self-portraits as he felt most comfortable portraying people who were close to him. It was not until his death, in 1776, that his last painting was completed and it was of himself. He called it, “The Last Supper”, as he felt very close to his subjects, as they were family or close friends. Among his other important works include, “The Night Cafe”, “The Last Supper”, “The Bridge of San Joaquin”, and “Dante Carpasio”. Other artworks from this period include, “The Armani Suit”, “The Two Virgin”, and “The Abduction of Mrs Innocent”.
This article aims to provide an objective assessment of this great artist and his oil paintings, focusing mainly on his overall artistic production and methodology. This article should not be seen as an extensive history of his work, but rather as a basic introduction to his main oil painting technique. Some of the techniques included in his work are discussed below. However, it should be noted that these techniques are used individually and independently, and do not form part of a larger body of work collectively known as Renaissance art.
The main painting technique used by Carlotti was the brush drawing on the canvas. He used a wide variety of brushes, which included ferret bristles, a number of different kinds of hair, and different sizes and shapes of brush. The use of different brushes gave each painting a distinctive feel. It is believed that he may have used a variety of combination of brush styles, but it is difficult to confirm this.
Another important aspect of his paintings involved his use of light. In paintings such as “The Night Cafe”, his use of light is especially clear. The dark shapes and the glow of candlelight against the white background of the painting are particularly clear. This particular painting technique had particular significance for him, as he felt strongly about the importance of color in painting.
The main area of his painting which is referred to most often is the figure of the person of whom the painting is made. In each of his paintings, there is a distinct subject which is depicted. These subjects, in no particular order, are Envy, Fortune, Love, Shame, Mystery, Triumph, Peace, Triumphant, Serenity, Strength, Beauty, Brighter, and Royal. His style of painting varied slightly over the years, but he always remained highly influenced by his Renaissance art. He experimented with different painting techniques, until he found his own unique painting technique.
The painting technique that he finally settled on, which was to become very important to him, was called the Baroque. This was a form of painting which was characterized by a thick brush stroke and attractive forms and textures of the objects which the artist was portraying. In many of his works, this painting technique was applied in a highly decorative manner, using large brush strokes to suggest depth. His paintings often had a sense of depth and realistic rendering.
In his paintings, his style of working closely followed the lines of a typical renaissance painter. His style was highly individual and he seldom painted similar subjects. In fact, one of his most famous paintings, The Night Cafe (1669), is a brilliantly colored and illustrated work which pictures an Italian gentleman seated in a cafe drinking and conversing with a group of friends. Many other paintings from the Baroque period which were highly acclaimed include The Virgin and Child with Two Angels, The Banner of the Sun, The Virgin and Child with Six Saints, The Double Vapir, The Madonna and Child With Two Angels, The Virgin and Child With Six Saints, The Madonna and Child, and The Virgin and Holy Communion.
 |
| From Carlotti’s Beauty Or How To Avoid Partial Optimizations – Carlotti Painter Wikipedia | Carlotti Painter Wikipedia |
 |
| From Carlotti’s Beauty Or How To Avoid Partial Optimizations – Carlotti Painter Wikipedia | Carlotti Painter Wikipedia |
 |
| Jean Albert CarlottI (6-6) – Paysage de l’Atlantique – Catawiki – Carlotti Painter Wikipedia | Carlotti Painter Wikipedia |
 |
| Jean Albert CarlottI (6-6) – Paysage de l’Atlantique – Catawiki – Carlotti Painter Wikipedia | Carlotti Painter Wikipedia |
 |
| The Five Secrets About Carlotti Painter Wikipedia Only A Handful – Carlotti Painter Wikipedia | Carlotti Painter Wikipedia |
 |
| Jean-Albert Carlotti – Lambiek Comiclopedia – Carlotti Painter Wikipedia | Carlotti Painter Wikipedia |
