Minimalist Art
In visual art, photography, and even other mediums, minimalist art is an emerging art movement which began in late post-World War II Western contemporary art, particularly with American contemporary art in the early 1960s and early '70s. minimalist art can be described as a style of art which exhibits a simplicity and spontaneity in its composition, layout, and style. While the term “minimalism” brings to mind a lack of depth, it is a far cry from that.
Just as certain Picasso's Les Demoiselles d'Avignon act as a departure point for anyone interested in Western art after the '70s, so too has minimalist art begun a phase of growth in popularity in the United States. The movement is characterized by artists who pursue a near-idiotastic form of painting, devoid of the layers and complexities of surface art. This art consists almost entirely of images painted on canvas with either oil or acrylic paint. Some examples of these artists paintings include Jim Shore's poster painting entitled Leaves of Heath, which features an immense Heath Barley with a collage of smaller pictures underneath. Another version of this same theme, entitled Walking Through Times, is also by the same artist.
Though minimalist art is sometimes regarded as being anti-intellectual, the very opposite is true. In many ways, the very simplicity of the style results in an artistic simplicity, where there is no need to over-complicate a subject in order to communicate its meaning. For instance, in the painting above, the large barley is painted in the upper right hand corner, while the images below the barley represent events from the series of life events that have taken place since the initial wake-up call. It is the simplicity of the painting, however, that provides the framework upon which the artist works, and that forms the bedrock upon which his or her work is built. The absence of over complication results in a work that stands apart from other works that may be seen at the same time, in that it does not attempt to address any perceived deficiencies or complexities in its medium.
With minimal art, the primary colors are primary. These primary colors are usually dark, earthy tones like brown, grey, beige, and black. These colors are joined together by shades of blue, green, or even tinier hues like lilac or pink. In addition, you will often come across primary colored dots mixed in with other secondary colors, which can add depth to a painting or structure.
One of the most common characteristics of minimalist art, whether in sculptures or paintings, is the use of geometric forms. Geometric patterns can be found everywhere in nature, including trees, rocks, buildings, and even the faces of newborn babies. However, for the sculptors who delve into the industrial materials, geometric forms are combined with primary colors to create striking images that are devoid of any visual reference. Industrial materials also allow for the sculptor to play with light in a way he could not do with more organic materials.
A major influence of minimalist art is French minimalism, which was introduced into the world by artist Pierre Cardin. Because of this, many sculptors associated the style with French furniture, such as those used by Louis Comfort, who was a major decorative artist of the early 1960s. Cardin's work can be found in homes throughout the world, from offices to museums to art galleries. In fact, the style has grown so much that it is now considered experimental and a reaction against the overly ornate and complex styles that dominated the art scene during the 1950s and 1960s.
While there are many artists who have made contributions to the world of minimalism, what is most notable about the style is the simplicity with which it communicates. Minimalists limit themselves to using primary colors and select geometric shapes, which are repeated throughout their art. They avoid using any form of imagery, including pictures and prints. By doing this, these artists give their works a unique sense of naturalness and spontaneity, which is in contrast to the sterile and over-lit results of contemporary art. Minimalist art also tends to use very few textures or forms, and their pieces always seem to lack complexity. By doing so, minimalist artists contribute to the feeling that the environment is simple and clean, a departure from the often complex realities of the modern world.
Minimalism is extremely versatile, as many artists have used it in their artwork to create a truly unique look. For example, Judith Viorst painted her work in yellow, which has become synonymous with minimalism. The use of yellow, combined with a palette of primary colors and a few carefully chosen geometric figures, gives her artwork a bright, vibrant appeal. In her paintings, Viorst uses very specific objects, such as pillows, bottles and coins, to take advantage of the simplicity of her style. This simplicity also gives her pieces a refreshing clarity, allowing them to stand apart from the many other works of art that she is both familiar with and admirably prolific at.
Just as certain Picasso's Les Demoiselles d'Avignon act as a departure point for anyone interested in Western art after the '70s, so too has minimalist art begun a phase of growth in popularity in the United States. The movement is characterized by artists who pursue a near-idiotastic form of painting, devoid of the layers and complexities of surface art. This art consists almost entirely of images painted on canvas with either oil or acrylic paint. Some examples of these artists paintings include Jim Shore's poster painting entitled Leaves of Heath, which features an immense Heath Barley with a collage of smaller pictures underneath. Another version of this same theme, entitled Walking Through Times, is also by the same artist.
Though minimalist art is sometimes regarded as being anti-intellectual, the very opposite is true. In many ways, the very simplicity of the style results in an artistic simplicity, where there is no need to over-complicate a subject in order to communicate its meaning. For instance, in the painting above, the large barley is painted in the upper right hand corner, while the images below the barley represent events from the series of life events that have taken place since the initial wake-up call. It is the simplicity of the painting, however, that provides the framework upon which the artist works, and that forms the bedrock upon which his or her work is built. The absence of over complication results in a work that stands apart from other works that may be seen at the same time, in that it does not attempt to address any perceived deficiencies or complexities in its medium.
With minimal art, the primary colors are primary. These primary colors are usually dark, earthy tones like brown, grey, beige, and black. These colors are joined together by shades of blue, green, or even tinier hues like lilac or pink. In addition, you will often come across primary colored dots mixed in with other secondary colors, which can add depth to a painting or structure.
One of the most common characteristics of minimalist art, whether in sculptures or paintings, is the use of geometric forms. Geometric patterns can be found everywhere in nature, including trees, rocks, buildings, and even the faces of newborn babies. However, for the sculptors who delve into the industrial materials, geometric forms are combined with primary colors to create striking images that are devoid of any visual reference. Industrial materials also allow for the sculptor to play with light in a way he could not do with more organic materials.
A major influence of minimalist art is French minimalism, which was introduced into the world by artist Pierre Cardin. Because of this, many sculptors associated the style with French furniture, such as those used by Louis Comfort, who was a major decorative artist of the early 1960s. Cardin's work can be found in homes throughout the world, from offices to museums to art galleries. In fact, the style has grown so much that it is now considered experimental and a reaction against the overly ornate and complex styles that dominated the art scene during the 1950s and 1960s.
While there are many artists who have made contributions to the world of minimalism, what is most notable about the style is the simplicity with which it communicates. Minimalists limit themselves to using primary colors and select geometric shapes, which are repeated throughout their art. They avoid using any form of imagery, including pictures and prints. By doing this, these artists give their works a unique sense of naturalness and spontaneity, which is in contrast to the sterile and over-lit results of contemporary art. Minimalist art also tends to use very few textures or forms, and their pieces always seem to lack complexity. By doing so, minimalist artists contribute to the feeling that the environment is simple and clean, a departure from the often complex realities of the modern world.
Minimalism is extremely versatile, as many artists have used it in their artwork to create a truly unique look. For example, Judith Viorst painted her work in yellow, which has become synonymous with minimalism. The use of yellow, combined with a palette of primary colors and a few carefully chosen geometric figures, gives her artwork a bright, vibrant appeal. In her paintings, Viorst uses very specific objects, such as pillows, bottles and coins, to take advantage of the simplicity of her style. This simplicity also gives her pieces a refreshing clarity, allowing them to stand apart from the many other works of art that she is both familiar with and admirably prolific at.
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