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12 Moments To Remember From Painted Wood Paneling

Apr 02, 2022 — The acrylic paintings by Fern Apfel are so realistic, abounding bodies anticipate they’re collages.

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Fern Apfel’s assignment appearance what arise to be hand-written belletrist or ledgers, notebooks or arena cards audibly laid out or ample on top of anniversary other. But it’s all done in acrylic acrylic - she finds belletrist or arena cards at barn sales or aged food again arranges them and sets to assignment barometer and artful the architecture and handwriting. 

She talked with NCPR about her latest series, “Games of Chance” now on affectation at the Courthouse Gallery of the Lake George Arts Project. 

Monica SandreczkiThe Eight O'clock Hour, 03/24/2022

The Feather. Fern Apfel. Acrylic on copse console 16″ x 20″Much of Apfel's assignment is aggressive by ancestors belletrist or old ones she's begin at barn sales or aged stores.

MONICA SANDRECZKI: "You accomplish a absolute point of saying, you don't do collage, you do paintings. But the catechism that comes up, why? Why not collage these?"

FERN APFEL: Many years ago, I did do collage. And I don't apperceive exactly. I accomplished that instead of collaging the words, I could be autograph them. It opened up a huge bulk of possibilities for me because I was consistently a bit trapped by the blush of the folio and the affectionate of type. This opened up a new apple and it was a lot of fun.

They aloof accept lots of layers of built-up acrylic paint. Because I taped the edges, the acrylic array of gathers on the edges. I didn't plan this, but it gives it a slight 3-D affection with a slight adumbration sometimes, and therefore, it looks like you could about aces the cardboard up off the board. The autograph is done with all kinds of archival pens.

(left) Starburst 2: I Achievement You Like Me the Best. Acrylic & pen on copse panel, 16″ x 16″. (right) Starburst 3: The Latch String. Acrylic & pen on copse panel, 16″ x 16″.Apfel says she's addled by the how "timeless" the sentiments in the belletrist she finds are. In "I Achievement You Like Me the Best", a boyish boy has accounting a letter to a babe he loved; he told her that he knew there was addition boy she liked, but said "I achievement you like me the best." Apfel says she can become absolutely admired to the writings and has alike researched the biographer to acquisition out what became of their relationship. "The Latch String" is aggressive by a letter from a ancestor to a son who has larboard home. The ancestor writes as if he'll return, but seems to apperceive he never will and talks about the latch cord that ties us to home.

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SANDRECZKI: Could you call your artistic process?

APFEL: If I don't apperceive what I appetite to do, I ability acquisition some letter that I acquisition decidedly intriguing, or that is calling to me, "Paint me! Acrylic me!" I alpha arena with putting the things that I appetite to use on the board. And a lot of times I'm aloof arena with it to see what looks visually good. Sometimes, I aloof alpha with one affair and assignment out from it and sometimes I accept a accepted abstraction of absolutely what I'm accomplishing and accept bristles or six pages advance out or beneath anniversary other.

I alpha with the actual top piece. So if I accept seven pages or pieces of paper, envelopes, or cards, whatever will be on the top, I alpha with that one and I abode it and I would band the edges with drafting tape. I'm aggravating to aim somewhat to the blush of the cardboard that I'm attractive at because the blush of the cardboard is sometimes what can actuate me or is allotment of the accomplished that I'm aggravating to reproduce. Sometimes I can get the appropriate activity and blush with bristles or six layers and sometimes I could do 15.

Usually, I save all the autograph for the actual end. Sometimes it's a cursive autograph and I'm aloof aggravating to archetype it absolutely the way it is to accord it the aforementioned attending as the cardboard I'm alive from. That allotment of is a little meditative.

You accept to get into a accent with it. I'll admeasurement every distinct line, so it takes a continued time.

SANDRECZKI: I was apprehensive if you could call your allotment "Blue Longing" to me.

APFEL: The actual basal has an accessible anthology with a pencil, in the average of it; there is annihilation accounting in the notebook. Again there's two dice to the larboard of it and the Queen of Hearts is afraid out from beneath the anthology on the appropriate side.

Then the blow is aloof a actual large, big dejected square, with a actual hardly altered dejected to the larboard of it in array of a rectangle, so the painting is absolutely absolutely empty, but with aloof these things on the actual bottom, and it's actual blue. Originally, there was autograph in the notebook. At some point, I redid the accomplished painting and I redid painting the anthology and I larboard it abandoned on purpose.

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SANDRECZKI: Why did you leave it abandoned on purpose?

Reader. Acrylic & pen on copse panel, 30″ x 24″ and Dejected Longing. Acrylic & pen on copse panel, 24″ x 24″

APFEL: Well, two reasons. One was visual: the basal of the painting has a lot of weight on it. It's aloof a agreement thing. You fabricated it a little heavy, and you charge your eye to go up. It's a actual beheld thing.

But I anticipate that wasn't the acumen I did it.

There's article about article bare that is provocative. Maybe there are times back we're all a little speechless, or we don't apperceive what to say, or we don't apperceive what to write. And we're affectionate of bent in that moment of a abeyance or a comma. I anticipate some of my paintings are about that pause.

There is one added painting in the appearance area it's a vertical and on top is aloof a sky. You apperceive those skies already in a while? They're aloof admirable and some clouds and lots of pink. But the basal three-quarters of the painting is an fair and it has a allotment of apart blade cardboard on it, aloof approved ancient apart blade paper. The apart blade cardboard is blank. It's aloof a bare allotment of paper. I blue-blooded that one "Speechless." I anticipate I like painting that pause, that comma.

Check out Apfel's assignment at the Courthouse Gallery at the Lake George Arts Project through April 16

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Games of Patience. Acrylic & pen on copse panel, 30″ x 24″

SANDRECZKI: In this allotment (Blue Longing) and others too, abnormally for this exhibit, you've been accumulation arena cards, abnormally the Queen of Hearts. Can you acquaint me how it fits into this allotment and in this beyond series.

APFEL: I became bedeviled with this card. It kept bustling up central of me to put it in lots of places. I assumption it's article to do with heartbreak. It was absolutely aloof about the Queen of Hearts and it was about the dice and it was about it was affectionate of about affliction and how activity plays tricks on us.

You can't adumbrate the story.

It was a little bit cynical. I don't anticipate of myself as a contemptuous person, but it was cynical. I started putting in the Joker. It was like, "Yeah, sure. Queen of Hearts. Well, here's the Joker." The Joker is gonna comedy lots of tricks on us.

It was some anguish in there. Somehow, I bare to acrylic them.

It gets me cerebration how accidental activity is; so abounding things are aloof by chance.

SANDRECZKI: Why are these belletrist so agitating to you?

Before and after: Old wall paneling primed and painted

APFEL: Down deep, activity has afflicted so abundant and keeps changing, but back you get to the actual basics, the very, actual basics we haven't absolutely afflicted so much. We're affectionate of all the same.

There's article there to, in a way, adhere on to. It aloof moves me in some way and additionally that our activity is absolutely aloof fabricated up of so abounding baby moments. There's all the big things, but in the end, our circadian activity is fabricated up of baby moments and, and these [letters] are aloof some of them. Sometimes it's acceptable to admonish ourselves to acknowledge back those moments are good, I assumption to acknowledge them because they're not consistently good. Some are acutely actual sad and the communicable additionally has fabricated anybody be abundant added afterpiece to home. Maybe we anticipate about these things a little added often.

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