Five Mind Numbing Facts About Tree Wall Art
A beheld account by Architecture Editor Wendy Goodman.
The Active Room: Appearance attractive against the kitchen with a bank that incorporates the aboriginal railroad copse beams. Jarrige advised all the appliance and art. Photo: Anthony Bootz
In 2014, the gallerist Valerie Goodman absitively it was time to clean the bashful farmhouse she endemic aloof a little bit upstate in Piermont, New York — which is forth the Hudson in Rockland County. She gave the activity to Jacques Jarrige, one of her artists, to whom she gave carte blanche.
The Paris-born Goodman confused to New York in 1983 and lived mostly in the East Village. She aboriginal busy allotment of this farmhouse from the affiliated artist-couple Vincent Capraro and Tatiana Onus in 1996. The backward Capraro acclimated the arena attic for his studio, and Goodman took the upstairs. She admired the abode and its grounds: “I mean, there was a pear tree!” Although she had not advised to move upstate full-time, “it was progressive,” she says, pointing out that it’s alone a 35-minute drive by car on a acceptable day from her abode to her arcade on 91st Street, which is quicker than best alms rides to Brooklyn — plus, there was a backwoods abaft the house.
Once she took over the accomplished house, she brought in Jarrige to affiliate it. His adulation of apprehensive abstracts such as plywood was in accompany with the blubbery copse beams the abode was congenital with (some from the railroad advance abreast the house).
On the aboriginal floor, Jarrige took bottomward the two walls that originally sectioned off the kitchen and congenital a plywood box that contains a bath and laundry room. He fabricated all the appliance and sculptural art in the house, and he created a abstracted bedfellow allowance admiral afterwards Goodman absitively she capital him to accommodate added than aloof the arena attic as had originally been planned. In her bedroom, he advised the hinged-wall closet.
And he did abundant of it over Skype, back he was active in France through abundant of the process. “Valerie trusted me to do it after my presence,” Jarrige says (Jarrige’s assignment will be featured at the European Cultural Centre’s Biennial Contemporary Art Exhibition in Venice this summer, and his Christ for Lent/Easter will be on appearance at the Cathedral of St. John the Divine.) “It’s the way I like to work; it’s added amoebic and day by day.”
The Arena Floor: When Goodman started renting the upstairs, the aboriginal attic apparent actuality today was artisan Vincent Capraro’s studio. Photo: Anthony Bootz
The Dining Room: It has a gray corrective attic and is lit by a skylight that was put in by Capraro. “The skylight is absolutely the abundance of the house,” Jarrige says. “It is the body of the house.” One of his beaming aluminum award sculptures hangs aloft the table in lieu of a chandelier. Photo: Anthony Bootz
Bathroom and laundry room, central a plywood asylum on the arena floor. Photo: Anthony Bootz
The Kitchen: There’s appearance into the dining room. Jarrige’s art actuality includes a full-body allotment absorbed to a clothes hanger evoking a changeable figure. Photo: Anthony Bootz
Library and Sitting Room: On the additional attic area Goodman had opened up the bank but kept the aboriginal copse beams, Jarrige created a library and sitting room. Photo: Anthony Bootz
Guest allowance in the attic. Photo: Anthony Bootz
Guest Allowance in the Attic: The bed floats on a plywood platform. Photo: Anthony Bootz
Goodman’s Bedroom: Jarrige advised the hinged plywood closet. Photo: Anthony Bootz
The exoteric of the 19th-century farmhouse stands as it was built, giving no clue to the bond of the avant-garde interiors within. Photo: Valerie Goodman
Design editor Wendy Goodman takes you central the city’s best agitative homes and architecture studios.
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