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An exhibition aggressive by paintings that were vandalised while on affectation has opened at the National Gallery.

The new assignment by the gallery’s 2021 artisan in abode Ali Cherri is called: If you prick us, do we not bleed?

The exhibition looks at how histories of agony can be explored through a acknowledgment to building and arcade collections.

During analysis into the gallery’s archive, Cherri, 46, baldheaded accounts of bristles National Arcade paintings that were vandalised while on display.

Cherri said: “It is an honour to accept been arrive as the artisan in abode at the National Gallery.

“The accomplished year has been aberrant for art institutions, acceptance for rethinking the role of the building in times of crises.

“I am captivated to be able to absorb the year in abutting adjacency to the gallery’s different collection, as able-bodied as that of the Herbert Art Arcade & Museum.

“Giving a abreast artisan admission to one of the world’s richest collections of paintings is a way of befitting the chat activity and accessible for new kinds of engagement.”

Born in Lebanon and based in Beirut and Paris, Cherri uses sculpture, blur and accession to accompany the acceptation of the congenital ambiance and its histories.

He generally uses archaeological charcoal and sites as a starting point to analyze the processes of excavation, alteration and the building allocation of objects, beastly artefacts, images and their narratives.

For the exhibition, which takes its appellation from Shakespeare’s comedy The Merchant Of Venice, Cherri has presented a alternation of alloyed media, sculptural installations that anamnesis aspects of anniversary painting and that brainstorm its activity afterward the vandalism.

The exhibition has been accumulated in the National Gallery’s Sainsbury Wing in the anatomy of bristles vitrines evocative of aboriginal building displays and cabinets of curiosity, amidst by Renaissance paintings, abounding of which appearance wounds and suffering.

Cherri is the National Gallery’s additional artisan in abode to be called back the barrage of its Modern and Abreast Programme, afterward the arrangement of Rosalind Nashashibi in 2019.

If you prick us, do we not bleed? will run from March 16 to June 22 in the Sainsbury Wing at the National Gallery.

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