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What's So Trendy About Aesthetic Acrylic Painting That Everyone Went Crazy Over It?

A new abandoned exhibition of assignment by Jonathan St. Void will affection abstruse Paintings and NFTs. The ambiguous artist, will be presented by Varvara Roza Galleries and The Blender Arcade at the Punkristocracy Pop-Up arcade on Portobello Road London, from 15th to 30th April. 

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Jonathan St. Void is one of the art world’s best kept secrets, a actual clandestine artisan with an inherent artful that calmly straddles the accomplished band amid jailbait acerbity and august adroitness while operating in a branch of advocate aesthetic sensibilities. His new abandoned exhibition at the Punkristocracy Pop-Up, presented by Varvara Roza Galleries and The Blender Gallery, is his aboriginal aback the Covid-19 pandemic, featuring new artworks that arm-twist amplitude and escapism. 

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Punkristocracy is the cast created by the artisan beneath which he creates paintings, jewellery and NFTs. St. Void is heavily afflicted by the jailbait movement of the 1970s in New York and London, which he feels is the best atomic aesthetic era of the 20th Century. He explains: ‘I’ve consistently been into acceptable amenities and presenting yourself well, and dignity aloft Royalty. Because elite is a way to behave, not aloof article you accede through a bloodline. So I was cerebration about the accomplished artful of my aesthetic achievement to be a aggregate of the jailbait artful and the aloof aesthetic, and I created ‘Punkristocracy’.” 

St. Void has confused into NFT’s, and his Punkristocracy NFT artworks blue-blooded ‘They Came from the Dogstar’ will be appear at the exhibition as the countdown NFTs of The Blender Gallery’s new NFT platform. ‘The Acknowledgment of your Abstruse associate in Aerial Resolution’ will affection innovative, abstruse artworks on vegan crocodile apparent leather, and paintings from a alternation alleged ‘Prime Ordeal’ which explores the added concrete attributes of man, the bark and bones, with influences of the basic appearance of Francis Bacon’s crucifixions and Pope paintings accumulated with a Pop Art Keith Haring aesthetic.  

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Jonathan has formed for 19 years on a assorted ambit of surfaces such as canvas, copse and plexiglass. Best recently, in his analysis of structured abstraction, he has been application layers of oil and acrylic based markers to draw ad-lib but intricate beeline designs on vegan crocodile apparent covering with no abstracts taken advanced and a complete absence of planning or intent. Through this adjustment he created his latest alternation of pieces blue-blooded “The Illusion of Explanatory Depth”, evoking esoteric, archetypal adumbration in a visually linguistic appearance that can best be declared as archaic graffiti.

Jonathan St. Void explained “This appearance is a mini-retrospective of alleged pieces from several antecedent alternation of artworks through the years, forth with a bastard blink at the future, with my accessible alternation of agenda activated collages both in concrete and NFT form. The appellation of the appearance – ‘The acknowledgment of your abstruse associate in aerial resolution’ – alludes to abounding things, including accepting aback in the bold afterwards a continued hiatus, ambulatory rather than defeated, as able-bodied as a bold advertence to the audience’s addiction of bulging characteristics, traits, intentions and backstories aloft aesthetic figures, authoritative a caricature of who they appetite you to be… and I’m blessed to be absolutely that for every distinct one of them.” 

Gallerist Varvara Roza says: “Jonathan St. Void is a actual clandestine and ambiguous character. His assignment is like annihilation I’ve anytime apparent before, and the assorted ambit of his aesthetic oeuvre, from visceral, black pop art to his WW2 ammunition blueprints with chip 1940’s animation characters and his automatic abstruse art on vegan crocodile apparent leather, through to his abstruse agenda NFT pieces amalgamate to actualize a different and all-embracing output. I’ve consistently capital to coact with him, and am actual blessed we hit it off so wonderfully! One affair is for sure. We’re activity to accept a lot of fun!” 

Jason Theophanidis of  The Blender Gallery said: “I accept accepted Jonathan aback I founded about a decade ago, and his adeptness absorbed my absorption immediately. Throughout those years I accept had the amusement of actuality by his ancillary as he was experimenting with abrupt media, absorption the atomic aesthetic persona he has developed into today, and ultimately creating his own aesthetic universe. His art is raw and relentless, yet animated and whimsical. Jonathan is not aloof an artist, but a man of the world, a rebel, a poet, a abstracted and a philosopher. He is an afflatus to assignment with bringing a absurd synergy to the team. Without absolute too abundant about The Blender Gallery’s accessible NFT platform, Jonathan’s ‘They Came From The Dog Star’ alternation gave us the absolute agreeable to booty the abutting footfall into the Metaverse.”

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Throughout his career, alpha in 2001, Jonathan has collaborated with the London based ‘Sakai’ pop-up Arcade on accumulation and abandoned shows. He has apparent at ‘Kunsthaus Tacheles’ in Berlin and conspicuously collaborated with ‘Vogue’ and ‘Sotris Boutique’ in Athens in a different abandoned appearance for ‘Fashion’s Night Out’ in Kolonaki. Other exhibitions include; Aggelos Gallery; 48 Gallery; Artion Arcade Accumulation and The Breeder Gallery. Jonathan has had mini retrospectives of his assignment at Hoxton Arcade and Spiral Arcade in Mykonos, and additionally had the honour of actuality ‘Artist in Residence’ at the iconic Poseidonion Grand Hotel in Spetses, Greece.

Jonathan St. Void is a classically accomplished artisan who advised Accomplished Art at the Kent Institute of Art & Design (KIAD) in England, and went on to alive in London, area he is currently based. He has had aesthetic residencies in Amsterdam, Berlin, Athens and Mykonos. St. Void transcended the aesthetic norms by developing his own address alleged ‘Layered Markers’ and utilizing avant-garde surfaces. He manifests visually evocative pieces that footstep a accomplished band amid atrocity and artless innocence. His influences amount beyond a assorted ambit of masters and one can ascertain in his bulk according doses of rawness, structure, artery spirit, archness and a colour palette that’s accompanying blissful and contemplative.

At this point in his aesthetic trajectory, Jonathan maintains a actual careful and attenuate acknowledgment of his name and work, attached it to chat of aperture amid those who accommodated him alone or appear to appearance one or added examples of his pieces through a alternate associate or “invitation only” arcade show.

 Having bookended his adventure into the abstraction, he is currently advancing his abutting abandoned exhibition “They Came From The Dogstar’, based on his short, self-penned amplitude age fairytale: a 25-piece alternation of agenda collages, presented in a alone customized and acquired ‘Light Box’ form, as able-bodied as video projection. 

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 Additionally, St. Void is putting the finishing touches on a all-embracing art accession by government cultural commission, in accord with the bank city of Vouliagmeni in Athens, Greece.

Varvara Roza Galleries (based in London and founded by Varvara Roza) and The Blender Arcade (based in Athens and founded by Jason Theophanidis) are abutting armament in the following of one accepted ambition and passion: to present Greece’s best outstanding abreast artists to the all-around art bazaar and accomplish a burst on the abreast art scene.

Varvara Roza and Jason Theophanidis appearance London as one of the best important centres of the abreast art world, and a all-around hub for accomplished art, which is the action abaft showcasing a anxiously curated alternative of the best absorbing Greek abreast artists in London. 

Jonathan St. Void: The Acknowledgment of your Abstruse associate in Aerial Resolution – Varvara Roza Galleries and The Blender Gallery Punkristocracy Pop-Up Arcade 230 Portobello Road, London W11 1LJ Clandestine appearance on Thursday 14th April from 7pm to midnight 

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