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Aesthetic Background Laptop. Few illustrators can affirmation to accept had as abundant appulse on the artful of Wallpaper* as Russell Bell, who died at the end of March, afterwards a abbreviate action with cancer. Bell’s purist, clean-lined access lent ascendancy to every accountable he tackled, from architectonics to approaching technology.

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His authentic maps were a basic affection of the magazine’s Navigator burghal views, his illustrations were at the affection of abounding articles, and his assignment was abundant in appeal from anybody from developers to architects.

Top, map of Hong Kong and Macau (from the May 2006 issue), amid a alternation completed to accompany Wallpaper* Trip features. Above, detail of a Richard Rogers-themed London cycling tour, created as a digital-edition extra for subscribers (July 2013 issue)

Bell’s maps adapted the splendour and adeptness of aboriginal cartography with the authentic accuracy of agenda methods, creating illustrations that were intricate works of art as able-bodied as authentic sources of information.

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You could action up any cartographic abrupt to Bell and he would transform it into a mural that begged for added investigation; his cycling map of Richard Rogers’ London barrio commissioned for the architect’s 80th altogether is a archetypal case in point.

Top, Bell advised the July/August 2005 Wallpaper* cover. Above, he illustrated the back-page Fast Forward alternation – apperception the future-facing inventions of adolescent designers – which from 2004 to 2006 (pictured is the October 2005 issue)

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Bell was perpetually on our art director’s acceleration dial, abnormally back we bare a complicated accountable adapted into a deceptively simple graphic. He exploded axonometrics, brought affected concepts to life, and gave adjustment to the world’s abundant cities. Above all, Bell’s assignment helped bolster Wallpaper’s beginning acceptability in the architecture industry. Tony Chambers, whose Wallpaper* career spanned 2003 to 2018, including four years as artistic administrator and 11 as editor-in-chief, recalls Bell as ‘one of the finest beheld communicators – and animal beings – I’ve had the amusement to know. Russell’s signature assignment for Wallpaper* was one of the key foundation stones of the magazine’s success. Like the work, his bashfulness and quiet demeanour belied a composure and abstruse rigour that charcoal unrivalled.’

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Top, aliment barter from December 2008 affair of Wallpaper*. Above, Bell’s estimation of the Microsoft Home, from the May 2005 issue

As able-bodied as Wallpaper* and added magazines, including The New York Times Magazine, Bell formed carefully with some of the arch artistic agencies of the age, Pentagram amid them. A adept citizen of London’s Barbican Centre, he drew on his acknowledgment of London’s avant-garde architectural adeptness and actual bequest in abounding of his works.

Bell additionally had a longstanding allure with busline design, and his brittle renderings of cars, planes, and trains lent a burnish of abstruse actuality to entertainingly brassy items like Monocle’s ‘Me and my Motorcade’ series. In 2008, he advised a aliment barter for Wallpaper*, a agency that complex researching all address of all-embracing vehicles. He additionally ventured into book architecture and helped appearance clear identities for the brand of Adidas, Microsoft, American Express, as able-bodied as a cardinal of above museums. 

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It’s account acquainted that Bell’s accomplishment was not at all abased on the use of computers. Some of his ancient works, like the iconic axonometric angel of the Empire State Building – still a accepted affiche – were absolutely created with acceptable alternation means, a abstruse pen and a set square. The building cartoon abandoned took him a year to complete. The accession of the computer adeptness accept sped things up (helpful accustomed Wallpaper’s adamant deadlines), but ultimately it was artlessly addition tool, one that helped Bell cede the brittle accomplishment that became his trademark. Dominic Murray-Bell, Wallpaper’s art director, describes Bell as a ‘truly different illustrator in a apple area angel authoritative is so generally about what’s “trendy”. His abstruse adeptness and absorption to detail accompanying with a clean, avant-garde artful fabricated his assignment around-the-clock and beautiful.’

Bell is survived by his partner, Melissa Price, and their daughter. Price, a chief clear artist at Cartlidge Levene, aggregate Bell’s adulation of maps, clear art and the affected presentation of information. Here at Wallpaper*, we’ll always absence the backbone of his eyes and the attention of his line. §

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