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Byzantine Art

Byzantine Art traces its origins to the unification of East and West Roman Empire. Byzantine art shares a common heritage with the works of ancient Greek, and Roman art. Byzantine art includes the body of Christian Greek visual arts, and the various non-Christian Greek states and countries that absorbed largely in the classical artistic tradition. Byzantine art can be classified into several artistic styles, including the so-called “Realism” and “Formalism.” The most important artistic movement within the Byzantine realm was termed “Theodicy” by contemporary historians.

Most Byzantine artwork of the 8th century belongs to churches, monasteries, and cemeteries. The most prominent feature of Byzantine artwork is the use of mosaic tile craft. The most commonly used mosaics were produced by the so-called ” mosaics of Stephanotis.” These images comprise of small figures and symbols of saints, secular icons (the most common being the Madonna), and geometrical patterns, all created by the Byzantine artists of the time.

Other byzantine art pieces include furniture, ceramics, and wall paintings. The most prominent item of Byzantine furniture is the so-called “bosch,” a type of simple wooden chair whose legs have been purposely broken to give a distinctive “broken” appearance. Byzantine ceramics include bowls, vases, and earthenware pots. Wall paintings include landscapes (such as wheat fields and vineyards) and other artful scenes usually portraying the crueltices of the wall.

In the Western world, the most frequently encountered Byzantine art objects are religious art objects. The most important pieces of Byzantine religious art (which is also called “theicon”) are the icons of the Virgin Mary, the Madonna, and Pope Innocent III. Other important icons include St. Nicholas (standing for the Roman Catholic Church), St. Benedict (for the Roman Catholic Church), St. Catherine (for the Eastern Church), and St.aphylococcus (the Greek Orthodox Church). While many of these icons have undergone modifications over the centuries, a few remain virtually the same.

Byzantine religious art decoration was extremely advanced during the Byzantine era. This is evident in the extensive use of natural stones such as on the icons and within the religious artwork itself. Natural stone can still be found on Byzantine crosses, icons, and sculptures, as well as on numerous other items of Byzantine decoration. Some of the most common types of natural stones used in Byzantine art include ivory (for figures and landscape paintings), limestone (for sculptures and the icons of St. Photini), and marble (for statuary and exterior ornamentation).

One of the most interesting characteristics of Byzantine icon painting is the prevalence of stylized icon paintings with very complex subject compositions. Many early icons were created by combining icons of different sizes into a single larger scene. The creation of a single, large icon was sometimes combined with the creation of an interior fresco (a large painting hung within an interior church door). The combination of icon painting and interior fresco creation during the Byzantine period marked the beginning of what is known as mosaics, which were commonly used in the eastern orthodox churches and palaces throughout the world in the 6th century.

The primary component of any Byzantine artwork item, whether it be a statue, a fresco, or an icon, is its composition. Byzantine artists frequently utilized a complex geometric approach to their icon paintings. Frequently, artists would make use of the Greek alphabet to compose their artistic styles. In addition, the icons frequently included depictions of aspects of nature, particularly birds, fish, human forms, and gears. In general, the artists used vivid colors, vibrant hues, and vivid images to compose their works. This aspect of byzantine art can still be seen today in places of worship such as synagogues, cathedrals, and other buildings constructed in the byzantine style.

The most commonly discovered characteristics of byzantine art items include their use of a complex geometric design, abundant use of ornate decorative objects, a penchant for complex and stylized icon paintings, and their use of vivid colors. One of the earliest forms of Byzantine art, icons, are still used today by many of the people in the world, particularly those who have a strong belief in monasticism. While the complexity of the iconography found in the byzantine style might seem extreme, this form of religious art was certainly no stranger to the art history of ancient Egypt, Persia, and Greece.

Late Antique and Byzantine Art Wall Street International Magazine – Byzantine Art | Byzantine Art

Late Antique and Byzantine Art – Byzantine Art | Byzantine Art